Showing posts with label Mythology. Show all posts
Showing posts with label Mythology. Show all posts

Sunday, 20 March 2016

Eurydice & Orpheus

I

Eurydice and Orpheus
are seated at the bar,
hands nested in each other’s palms,
and pupils knit like yarn.

Their lips are restless, wandering,
to soak the other’s cheek,
but disapproving glances force
them teasingly to leave.

She’d love to fuck him endlessly,
but it’s a weekday and it’s late.
They pull apart unwilling,
as his stiffy starts to chafe.

The morning after Orpheus
confides to his guitar.
He charts the agonies of love—
the trials of his poor heart.

He tries to frame Eurydice
in bland acoustic pop,
and clings to clichés carelessly.
He frets. Then sighs. Then stops.

The trouble is he cannot start
to praise her peerless mind,
when all his inspiration is
for wand’ring eyes to find;

and though the marriage of true minds
was always his ideal,
a bodiless and senseless love
is difficult to feel.


II

The next day brought a dinner date
and promised true romance.
They’d booked a table, called a cab—
not leaving things to chance.

The waiters hurried to their side.
The wine was flowing fast.
Their fellow diners grimaced at
Eurydice’s violent laugh.

Three courses later Orpheus
claims he must foot the bill.
They stumble out the restaurant
and stagger up the hill.

The bedroom beckons, Orpheus
swiftly fumbles at her clothes.
He grinds on her mechanically.
She tries to fake a moan.

When he comes she thinks, ‘thank God that’s done!’
and says she must go home.
It seems she’s drunker than she thought,
as she struggles with her clothes.

The morning after Orpheus
arises with a groan,
surprised to hear the troubled tones
of Jason on the phone.

A deafly silence clouds his ears.
His insides sink like lead.
‘I don’t know how to say this, mate,
Eurydice is dead.’


III

In the hours after Orpheus
is madly writing songs.
He tries to capture his despair,
served up three minutes long.

The neighbours shudder at the sound
of his caterwauling wail,
as sobbing for his sweetheart’s death,
he dreams of album sales.

The funeral comes and Orpheus
sings his love an epitaph.
The mourners grimly clench their teeth
and struggle not to laugh,

aside from someone at the back—
a woman in a veil.
She giggles softly to herself
at her boyfriend’s deafening wail.

Eurydice, see, faked her death—
life’s too short for bad sex.
He only loved her carnally,
but was a bloody bore in bed.

Besides, his songs were pretty shit—
he could hardly hit a note.
So she softly feels the purple marks
of Jason on her throat.

And Orpheus, that ghastly man,
was soon in love again.
Persephone craved his hellish shriek—
you can’t account for taste.

Friday, 18 March 2016

Perseus & Medusa

When Jo and I were bored, we decided the best form of entertainment would be to challenge each other to write sestinas based on random words selected from the Wikipedia page on Medusa and the OED word of the day (which was fall-back, bizarrely). Whilst Jo's was obviously better, and featured romance and death, mine is just Medusa moping about her cave for a bit. Here it is:

Still crawling out of infancy,
you closed your eyes, remembering
the stony stares of silent gazers.
They thought they’d peered behind your mask,
and they froze you with their force. Fall-back
to where each shadow soaks the echoes of your name. Medusa.

The echoes of the arms that sheltered your name, Medusa,
the hiss of the lisp of your infancy.
Arms out—the shadows overlap—fall-back.
Let the darkness cushion your remembering.
Let the darkness lick the outlines of the mask,
of the stone-cold ones you’ve overcome, your gazers.

“Ash-back eye-holes swallowed me on the street. Gazers
reframed me in the spit of their hiss. Medusa,
sitting in the shadows and stroking each death mask
with the tip of her leathered tongue. So many boys
who’ve shared their lips since infancy;
the texture of each tongue, the friction, worth remembering.
Arms out—the shadows catch my skull—fall-back.

“Fall-back, and fuck their understanding, fall-back
away from the ash-black eyes of gazers,
and later I will wake from this remembering,
but now the cave cocoons me with my name. Medusa.
This stone is the shelter of an infancy
come again. Child of darkness. Girl with the Halloween mask.”

So you spoke. “Don’t come close. My last mask
has worn through. Could you fall-back
just a little? Here, in my den of infancy,
each ash-black stone will smother gasping gazers.
My rules. My statues. The playthings of Medusa
weep blood with the force of their remembering.

“Do I see you trembling? Or am I just remembering
the man who came here last? See his death mask.
One of my best. Crying for his Medusa.
I still trace his tears. But fall-back,
this place is not for you. Your eyes are not cruel like those gazers
who’ve shrunk me since my infancy.”

I rose and put an end to her remembering.
I kept her head and stroke the snakes sometimes to mask
my guilt. I took it home. Already stone, I killed Medusa.